Characters, Themes, and Style in Paradise Lost

Paradise Lost features a cast of complex characters, explores profound themes, and is written in a distinctive style that has cemented its place in the canon of English literature.

Characters

Satan is perhaps the most intriguing character in the poem. During the opening, he is often considered a "hero" because he exhibits many characteristics of the tragic epic hero: leadership, courage, a refusal to accept defeat, and a willingness to undertake desperate enterprises. Milton draws parallels between himself and Satan, as both possess rebellious natures.

Highlight: The complexity of Satan's character in Paradise Lost has led to centuries of literary debate about his role as an anti-hero or villain.

Adam, the first man, is portrayed with depth and nuance. His choice to disobey God reveals his full, frail humanity. Adam's main weakness is his infatuation with Eve, which ultimately contributes to their shared fall from grace.

Themes

Paradise Lost explores several profound themes:

1. Obedience and rebellion: The poem narrates the story of Adam and Eve's disobedience and examines how and why it occurred.

2. Fate and free will: Satan is determined to be free, even though the price of his freedom is banishment to Hell. This theme resonates throughout the poem, raising questions about the nature of choice and its consequences.

Quote: "The mind is its own place, and in itself / Can make a Heaven of Hell, a Hell of Heaven." This famous line from Satan's speech encapsulates the theme of mental freedom versus physical circumstances.

Style

The style of Paradise Lost is grand and serious, befitting its weighty subject matter. Milton employs an elevated and complex language, characterized by Latin syntax and challenging vocabulary. He introduced a new kind of blank verse and used elaborate similes to intensify the heroic stature of his subjects.

Vocabulary: Blank verse - Unrhymed iambic pentameter, the verse form used in Paradise Lost.

Paradise Lost is classified as an epic poem, a genre Milton chose due to the grandeur of his subject matter: the fall of man. He adhered to traditional epic conventions, such as opening the poem with a precise statement of its theme. However, Milton also innovated within the genre. For instance, Satan is portrayed not as a traditional warrior, but as a more philosophical central character, reflecting the changing spirit of Milton's age.

Example: The opening lines of Paradise Lost - "Of Man's first disobedience, and the fruit / Of that forbidden tree" - follow the epic convention of stating the poem's theme at the outset.

The Satan's speech at the beginning of the poem is a prime example of Milton's poetic prowess. In this speech, Satan compares Hell to Heaven and himself to God, asserting that the only difference between them is the power God possesses. Satan's declaration that he could "make a Heaven of Hell, a Hell of Heaven" showcases his defiance and the poem's exploration of power and perspective.

Quote: "Here at least / We shall be free; th' Almighty hath not built / Here for his envy, will not drive us hence: / Here we may reign secure; and, in my choice, / To reign is worth ambition, though in Hell: / Better to reign in Hell than serve in Heaven." This excerpt from Satan's speech is one of the most famous passages in Paradise Lost.

In conclusion, John Milton's Paradise Lost stands as a monumental work of English literature, its complex characters, profound themes, and distinctive style continuing to captivate readers and scholars alike. The poem's exploration of free will, rebellion, and the nature of good and evil remains relevant and thought-provoking to this day.

Plot and Setting of Paradise Lost

Paradise Lost, John Milton's epic poem, is a grand narrative that explores the fall of man and the origins of evil. The poem's plot and setting are intricately crafted to convey Milton's theological and philosophical ideas.

The poem opens in medias res, with Satan and his fellow rebel angels chained to a lake of fire in Hell. This dramatic beginning immediately plunges the reader into the aftermath of a cosmic battle, setting the stage for the epic's exploration of rebellion and its consequences.

Definition: In medias res - A literary technique that begins the narrative in the middle of the story, often at a crucial point in the action.

Satan, once the most beautiful angel in Paradise, emerges as a central figure in the narrative. His name, meaning "the enemy of God" in Hebrew, underscores his role as the primary antagonist. Satan and his followers, expelled from Heaven, debate their next course of action. They ultimately decide to target God's newest creation: mankind.

Highlight: Satan's character in Paradise Lost is complex and multifaceted, often viewed as an anti-hero due to his defiance and determination.

The setting of Paradise Lost is based on the traditional Ptolemaic system, with Heaven, Earth, and Hell arranged in a hierarchical structure. In Milton's cosmology, God sits on his throne in Heaven, surrounded by nine orders of angels. The tenth order, led by Satan, has been cast down to Hell, which is portrayed as the antithesis of Heaven.

Example: Milton's depiction of Hell as a fiery lake contrasts sharply with the celestial beauty of Heaven, emphasizing the consequences of rebellion against divine order.

As the narrative progresses, Satan succeeds in entering the Garden of Eden. There, he convinces Adam and Eve to eat the forbidden fruit, leading to their expulsion from Paradise. This act sets in motion the fall of mankind, a central theme of the epic.

Quote: "Of Man's first disobedience, and the fruit / Of that forbidden tree whose mortal taste / Brought death into the World, and all our woe" - These opening lines of Paradise Lost encapsulate the poem's central theme and plot.

The trama (plot) of Paradise Lost interweaves biblical narrative with Milton's own imaginative additions, creating a rich tapestry that explores themes of free will, temptation, and the nature of good and evil.