The Romanticismo inglese emerged as a profound literary and artistic movement that transformed European culture in the late 18th and early 19th centuries. At its core was a reaction against the rationalism of the Enlightenment, emphasizing emotion, individualism, and the sublime power of nature.

William Blake stands as one of the movement's most influential figures, particularly through works like "The Tyger" and "The Lamb." These companion poems exemplify the dualistic nature of his poetry, with "The Tyger" exploring themes of divine creation, power, and terror through vivid imagery of a fearsome tiger forged in divine fires. The poem's complex symbolism and rhetorical questions probe the nature of good and evil, while "The Lamb" presents an innocent counterpoint through its gentle exploration of divine love and mercy. Blake's use of parallel structure and symbolic imagery in both poems creates a profound meditation on the dual nature of creation and the divine.

The Romanticismo inglese poeti collectively established new literary principles that would influence generations of writers. The movement's philosophical foundations were articulated in works like Wordsworth and Coleridge's "Preface to Lyrical Ballads," which emphasized the importance of emotion and everyday language in poetry. This marked a significant departure from the formal constraints of Neoclassicism. The movement spread across Europe, with distinct manifestations emerging in different countries - the manifesto del romanticismo italiano emphasized national identity and historical themes, while the manifesto del romanticismo tedesco focused on the relationship between nature, spirit, and art. The manifesto del romanticismo francese particularly emphasized emotional intensity and individual freedom. These various national interpretations shared common themes of imagination, nature, and emotional authenticity, while developing unique characteristics shaped by their cultural contexts.